A Ghost and A Storm

I am a ghost. I am a mirror. I am whatever you need me to be. Whatever you look for, that is what I am. Who I am. I am the furniture of a hundred people's homes, different in every iteration. I am a phantom, morphed into a new shape in every eye that beholds me. Look for me tomorrow, and you will find me transparent. Transformed. Melting through your things. Blown here and there by the winds of your fancy. I am whatever you need. And, when unneeded, you won't find me at all, will you?

I am natural phenomenon, like a storm or light breeze or lightning bolt. An event, moving things about. A fountain of molecules.  A thing that is happening as a result of a toppling of dominoes, cause and effect, stretching back to the dawn of time. A continuation of the explosion that started and continues and will someday stop. I began; there is no one to blame. Warm air from the gulf collided with a cold front sweeping over the mountains, generating an updraft, moving moisture, forming rain drops that are falling, falling, falling.

This is what began the event that is Me, and that is what will end Me. Death by Natural Causes.

On Forgetting

I forget things.

Faces. Names. Recipes. Locations. Dates. The date. Past events. What I was just doing. Entire events from only two days ago. What items are in what cabinets in my kitchen. What you said yesterday. What I said thirty seconds ago.

Events that happened five minutes ago are sent into the same overlapping jumble where my memories from 8 years ago reside. There’s a cloud in my head where events and impressions mix, creating stories that may or may not have happened, faces that may or may not exist, and places that aren’t quite arranged the way they are in reality. When I leave a task, expecting that my future self will come back to finish it in five minutes, it’s like pushing a raft out to sea, hoping it will float to a specific person on the other side. Sometimes it's infuriating. Sometimes it's scary.

This is part of who I am. It’s taken me a long time to balance accepting that while still not using it as an excuse to give up on improving my memory or a reason to hate myself for making so many mistakes. Maybe you're in the same boat in one way or another. There are methods for improving your memory (which maybe I'll write another post about later), but they don't work overnight, so in the meantime, here are some strategies I use to manage my forgetting. Maybe you'll find them helpful.

Methods for surviving with forgetfulness:

Leaving a physical reminder. Whenever you move away from a task-in-progress to do something else, leave a physical object in a place you will see it. For example, if you’re making pancakes and the doorbell rings, leave the spatula on the coffee table so you’ll see it when you set down the exciting package the post-person brought you and go flip the pancake before it burns.

Alarms. Pizza needs to cook for 15 minutes? Set an alarm. Plan to write for an hour and then go to the store? Set an alarm. Have an important job interview? Set four alarms. It might feel like coddling yourself, but often you'll find that the act of setting the alarm helps you remember, and you'll go back to that pizza seconds before the alarm goes off.

Signs. It’s stressful to look through every cabinet in your kitchen for the salt. It might feel childish to put little signs on your cabinet doors saying what’s inside, but if it works, do it. You’re home should be the least stressful place.

Apologies. Forgetting someone’s name is not polite. Leaving a task half-completed at work is inconsiderate. Most people assume that if you forget something, it’s because you didn’t care about it, or them. Use specific and detailed apologies that are more than just the word “sorry.” Make sure your facial expression shows that you’re not being sarcastic. It’s important that people don’t think you’re a jerk because you’ll also need…

A safety net of people who understand. Depending on others requires trust, and you’ll need a lot of it. You’ll need people you can trust to remind you of things, point out things you forgot, and fill in the gaps in your memories. For that last one, sometimes what they tell you will clash with what you remember; you’ll literally need to trust these people more than your own mind. Choose your friends carefully.

Self-forgiveness. Like I said earlier, it’s easy to feel useless when you burn your oatmeal literally every morning for two weeks. It’s easy to feel like you’re broken and incapable of functioning in society. Remember that all humans depend on other humans to survive. Remember that everyone makes their own kinds of mistakes and (hopefully) has coping mechanisms to compensate. Remember that modern society has insanely unrealistic expectations for functionality, so don’t use those expectations as the metric by which you judge yourself.

If you can remember that, forgetting won’t be so bad.

(To be Read to the Rhythm of Your Own Breathing)

We’re all dying
Every day is ten thousand
breaths
we can't take back in
Each moment another flake of dead skin
fallen
to the ground alone
Your organs can only stay together for so long
and you can’t
expect
that electricity in your head to keep firing forever
So I’m going to
take
another deep breath
cash in a few more fleeting seconds from
old bones
I’m not sure why we keep doing this to ourselves
but here we go again
Living

Judge People

“Don’t judge a book by it’s cover” is not advice I would give to anyone. But there is a lot of judgement-based advice that I would give. So I will. Right now. Prepare to be advised.

Do judge books by their cover. Judge people. Think about their appearance. Judge your surroundings. Think about everything you perceive. Don’t ignore things. Don’t assume you can’t come to valid conclusions. Don’t turn off your brain. People with their brains turned off are husks.

Judge. But remember, what happens next is essential. What do you do with the judgments you’ve made, the information you’ve gathered? (Of course, if the title you judge on their book cover is I'm Probably Gonna Murder Ya, yeah, better start running, but for the other cases...)

Don’t give up. Don’t give up on a person after only judging their initial outward appearance. Don’t assume you understand them completely from the beginning. That’s arrogance. That’s bad information gathering. That’s bad science. Widen your sample size. Keep looking. Keep judging. Let them show you a few dimensions of who they are. Judge those too.

So I guess the advice is, you can judge so long as you don't stop judging. Keep judging. Keep your mind open to each new dimension of the people and things that you encounter. Don't stop moving forward until either (1) you discover them to be harmful or so deplorable that they aren't worth your attention any longer, or (2) you don't, and you keep going, further up and further in, learning and expanding from what they offer you, on and on, judging each other.

To a Stranger and All Future Strangers

I have nothing to offer you

stranger walking ahead of me

Shuffle on in your intrepid garb

I am no longer so arrogant as to think
that we are somehow unequal

that I should have spoken to you
that you need me
more than I need you
A silent compulsion given up

The end of guilt, arrogance
responsibility for strangers

and the illusion of my own importance

I have nothing to offer you

so here we walk

sharing the same pavement

All I have is myself

A shape in your peripheral vision

A simple piece of scenery

An ant in your garden

Background in the humongous story

that you tell yourself

everyday

That is all I have to offer you

only what you've asked for

And for once I am

happy

to play my part

Humans and Their Ways: Know Where Your Towel Is

The following is an excerpt from a book called Of Humans and Their Ways, written by the observant and insightful Robot 3000-22. Both the book and its author and totally made up and don't actually exist outside of my head.
Carry on.

* * * * * * * * * * * * * * * * * * * * * * * * * * *

Chapter 14: Humans and Their Appearance

The following is a quote from a novel named The Hitchhiker's Guide to the Galaxy, by Douglas Addams, a human:

"A towel...is about the most massively useful thing an interstellar hitchhiker can have. For some reason, if a strag (strag: nonhitchhiker) discovers that a hitchhiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, washcloth, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet-weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitchhiker any of these or a dozen other items that the hitchhiker might accidentally have 'lost.'"

I'm going to expand on this understanding of towels to explore how humans interact using their appearance (what they look like to other humans). From extremely simple visual cues, like a towel, humans conclude a gigabyte's worth of information about the humans they observe.

EXAMPLES: Long hair on one's head or face takes a lot of time and effort to care for, so others might assume that Jane, who possesses the former, also possesses patience, self-awareness, or concern about their appearance. (Unless Jane's hair appears unkempt, in which case the reverse is more likely.) High-heels are not practical for walking long distances, so an observer might assume that Sally's black stilettos mean they possess the resources to get from place to place without much walking. Dave's fancy clothing could suggest a significant amount of expendable income. Casey's large muscles could suggest that they have the fortitude and focus to exercise regularly. In all these examples, the human's appearance generates an identity in the eyes of others.

But remember, the hitchhiker in Addams' quote does not actually possess any of the things that the nonhitchhiker assumes they have. The purpose of the towel is to manipulate, to provide the dishonest appearance of already possessing those things, for the benefit of the hitchhiker. And this is exactly what humans do. Most humans know about their appearance's power to generate assumptions, so they alter their appearance to generate a particular assumption in others that they desire. EXAMPLE: Sally might walk a long distance in sport's shoes and then switch to high heels at the destination to provide the appearance of having more resources than they have.

Unfortunately, others often notice this manipulation, and so they instead make their assumptions based on the human's failed manipulation. EXAMPLE: Leo wears ripped jeans in an attempt to generate the assumption in others that they are independent and therefore flippant about what others think of them (i.e. "too cool to care"). However, the others might perceive that Leo's ripped-jeans-wearing is intentional and instead conclude (accurately) that Leo actually cares a great deal about what others think of them. And so, a complex and silent interaction takes place whenever humans behold other humans.

One might conclude that the human species is hopeless because of all their focus on others' opinions rather than the mysteries of the universe outside their imaginary social world. They seem quite trapped in their battleground of social combat, vying their whole lives for control of their own identity in others' eyes.

However, as we've seen in other chapters, all human communication can be used for beneficial or destructive purposes, and appearance is no exception. I believe that, in healthy cases, more functional humans use appearance interaction to explore who they are, examine the disparity or agreement between their outer and inner selves, and make progress towards self-actualization. Also, they can use their appearance for practical purposes, like asserting a counter-cultural identity, surviving in a hostile environment, or providing a soothing demeanor to others. Therefore, I believe, if you want to thrive as a human, it's best to know where your towel is.

Kamikaze

Diving
A 6,000 foot suicide
Birth to death
at terminal velocity
Falling
from the start
to the end
the impact
Explosion
viscera thrown about in a perfect ring
Like a halo
about the grave
of the raindrop
on the sidewalk

Sitting on a Concrete Wall in Toronto Late at Night

If I sit still enough, I can feel the blood humming through my capillaries.

I'm learning to mind my locations, like a child does. Here is the place. Here are the objects. If I sit very still, I can imagine they are constants, like rivers or mountains, and so am I. Topographical features that change only imperceptibly.

As an adult, I have this sense of everything in the city being in flux; it's rearranged each time I see it. But late at night, it's easier to find the foundations and imagine the constants, the coral that remains when all the flitting fish have hidden from the night. When everything else washes away, here is what remains: dormant vehicles, buildings like canyon walls, engine smells, glowing signs calling to illiterate moths, concrete barriers, street lamps shining on empty pavement, lunatics, and an orchestra of unspecified machines all buzzing and vibrating in a song that plays all day long, but can only be heard at night.